Tomb of Sand makes International Booker 2022 shortlist

Recognition for Hindi to English translation!

455
Tomb of Sand
Geetanjali Shree's Tomb of Sand makes it to International Booker 2022 shortlist. Photo Amazon

Tomb of Sand, the English translation of Geetanjali Shree’s Hindi original Ret Samadhi, has created history by becoming the first Indian novel translation to make it to the prestigious International Booker Prize shortlist. Penguin India released the English translation of Ret Samadhi in the subcontinent last month.

Shree’s book, translated into English by Daisy Rockwell, is among the six books shortlisted for the coveted prize. The GBP 50,000 (approximately Rs 50 lakh) prize will be shared by the author and the translator.

The International Booker received a record 135 submissions this year. The International Booker Prize is awarded each year to a book translated into English and published either in the UK or Ireland. Starting this year, the Booker Prize has increased the prize money for shortlisted authors and translators from GBP 1,000 (approximately Rs 1 lakh) to GBP 2,500 (approximately Rs 2.48 lakh). This brings the total value of the literary awards to GBP 80,000 (approximately Rs 80 lakh). 

The five other works shortlisted for the prestigious translation into English award are the short story compilation Cursed Bunny by Bora Chung, translated from Korean by Anton Hur; Heaven by Mieko Kawakami, translated from Japanese by Samuel Bett and David Boyd; The Books of Jacob by Olga Tokarczuk, translated from Polish by Jennifer Croft; crime novel Elena Knows by Claudia Piñeiro, translated from Spanish by Frances Riddle; and, A New Name: Septology VI-VII by Jon Fosse, translated from Norwegian by Damion Searls. The shortlist was announced at the London Book Fair on 7 April, and is dominated by women authors. Olga Tokarczuk won the Booker in 2018 for her acclaimed novel Flights.

About Tomb of Sand, the judges panel said, “Daisy Rockwell’s spirited translation rises admirably to the complexity of the text, which is full of wordplay and verve.” Shree’s “loud and irresistible novel” has also won the English Pen Award.

Frank Wynne, the first translator to lead the Booker judges, who announced the shortlist on his 60th birthday, explained, “Translation is an intimate, intricate dance that crosses borders, cultures, and languages. There is little to compare to the awe and exhilaration of discovering a perfect pairing of writer and translator?

“These six titles from six languages explore the borders and boundaries of human experience, whether haunting and surreal, poignant and tender, or exuberant and capricious. In their differences, they offer glimpses of literature from around the world, but they all share fierce and breath-taking originality that is a testament to the endless inventiveness of fiction.”

Tomb of Sand
At Night All Blood Is Black by David Diop, translated from French by Anna Moschovakis was the 2021 winner of The International Booker Prize. Photo Amazon

At Night All Blood Is Black by David Diop, translated from French by Anna Moschovakis was the 2021 winner while The Discomfort of Evening by Marieke Lucas, translated from Dutch by Michele Hutchison won the International Booker in pandemic year 2020.

Tomb of Sand‘s publisher Tilted Axis has been nominated for the International Booker Prize for the first time in its 17-year history. Tilted Axis had two other titles in this year’s longlist – Happy Stories, Mostly by Norman Erikson Pasaribu, translated from Indonesian by Tiffany Tsao; and Love in the Big City by Sang Young Park, translated from Korean by Anton Hur. Honford Star is another publisher that made it to the list for the first time.

Other members on this year’s judging panel are Zimbabwean lawyer and writer Petina Gappah; Turkish-American academic, writer, and literary critic Merve Emre; British journalist, author, and comedian Viv Groskop; and Singaporean author, translator, and playwright Jeremy Tiang.

Shree – a frequently translated writer

Hailing from small-town Mainpuri in Uttar Pradesh, 64-year-old Shree has several novels and short story compilations to her credit, with her titles being translated into German, French, Korean, and Serbian, apart from English. Her critically acclaimed works include Mai, Hamara Shahar Us Baras, and Tirohit. This is one of her first works to be published in the UK.

An alumnus of Lady Shri Ram College in New Delhi, Shree went on to pursue masters in Modern Indian History from the city’s Jawaharlal Nehru University. Shree has also received the Hutch-Crossword Translation Award (2000), Indu Sharma award, Hindi Akademi Sahityakar Sammaan, and Dwijdev Sammaan for her noteworthy contribution to Hindi literature.

Tomb of Sand
(L-R) Author Geetanjali Shree with Ashok Maheshwari, managing director – Rajkamal Prakashan. Photo Rajkamal Prakashan

Shree shared her excitement in a press release from her Hindi Rajkamal, “It is recognition of a very special kind. When a work appeals to unknown people sitting in faraway places, then it must have the ability to transcend its specific cultural context and touch the universal and the human. That is true ratification. The work must be good, the translation must be excellent! It is a great moment for Daisy and me. Shows how rich our dialog has been. That is what translation is about.”

Ashok Maheshwari, managing director – Rajkamal Prakashan, the original publisher of Ret Samadhi in Hindi shared his happiness on the novel being shortlisted for International Booker Prize, saying that excellent writing in Hindi and other Indian languages is attracting global attention.

Daisy Rockwell – biographer and translator  

US-based Daisy Rockwell has translated diverse Hindi and Urdu works into English. She is the author of Upendranath Ashk: A Critical Biography, The Little Book of Terror and Taste, apart from her many essays on literature.

Rockwell won the Aldo and Jeanne Scaglione Prize by the Modern Language Association of America in 2020 for her translation of A Gujarat Here, A Gujarat There. Her other translations include Falling Walls by Upendranath Ashk and Bhisham Sahni’s epic partition masterpiece Tamas.

Kanishka Gupta, CEO of Writer’s Side which represents Rockwell shares in an exclusive chat with Indian Printer & Publisher, “This is unprecedented. This has never happened before. I don’t know why people are just saying Hindi translation, because no South Asian language has appeared on the International Booker shortlist. It is a first, it is good to be part of a historic moment like this.”

This is the second book represented by the Indian literary agency to be shortlisted for the Booker. New Delhi-based Shree is now looking forward to attending the Booker Prize 2022 award ceremony on 26 May in London.

2023 promises an interesting ride for print in India

Indian Printer and Publisher founded in 1979 is the oldest B2B trade publication in the multi-platform and multi-channel IPPGroup. While the print and packaging industries have been resilient in the past 33 months since the pandemic lockdown of 25 March 2020, the commercial printing and newspaper industries have yet to recover their pre-Covid trajectory.

The fragmented commercial printing industry faces substantial challenges as does the newspaper industry. While digital short-run printing and the signage industry seem to be recovering a bit faster, ultimately their growth will also be moderated by the progress of the overall economy. On the other hand book printing exports are doing well but they too face several supply-chain and logistics challenges.

The price of publication papers including newsprint has been high in the past year while availability is diminished by several mills shutting down their publication paper and newsprint machines in the past four years. Indian paper mills are also exporting many types of paper and have raised prices for Indian printers. To some extent, this has helped in the recovery of the digital printing industry with its on-demand short-run and low-wastage paradigm.

Ultimately digital print and other digital channels will help print grow in a country where we are still far behind in our paper and print consumption and where digital is a leapfrog technology that will only increase the demand for print in the foreseeable future. For instance, there is no alternative to a rise in textbook consumption but this segment will only reach normality in the next financial year beginning on 1 April 2023.

Thus while the new normal is a moving target and many commercial printers look to diversification, we believe that our target audiences may shift and change. Like them, we will also have to adapt with agility to keep up with their business and technical information needs.

Our 2023 media kit is ready, and it is the right time to take stock and reconnect with your potential markets and customers. Print is the glue for the growth of liberal education, new industry, and an emerging economy. We seek your participation in what promises to be an interesting ride.

– Naresh Khanna

Subscribe Now

LEAVE A REPLY

Please enter your comment!
Please enter your name here