Dignity in Rags

Dignity in Rags

By all accounts the textile printing business is set to explode, thanks to digital printing technologies. For instance, Fibre2fashion, analysts for the fashion industry, reckon that in 2017 the amount of fabric printed digitally will be more than one billion square meters and reach 2.5 billion square meters by 2020. They estimate that CAGR from 2015 to 2020 will be 28%, with 5% of that printed digitally, up from 2% in 2016.

We can mostly accept these numbers but there are many reasons to be anxious, not least the environmental impact of such growth. Textile production is one of the heaviest when it comes to the environment, not least for the massive amounts of water required to produce fabrics, starting with processing the raw materials and all the way through to washing textiles ready for turning them into clothes.

The big driver is, of course, our desire for instant and inexpensive gratification. We all love to have new clothes, to change our look, to bolster our sense of self-esteem, our vanity. In developed markets it is very easy to get new stuff at a low cost, whether it’s brand new or second-hand, bought in a shop or online. The fashion industry has of course responded brilliantly, tapping into this need and producing stylish designs at low costs with increasingly frequent new looks and lines. This inevitably increases the burden on reprocessing textiles, particularly in geographies where a throwaway mentality dominates. Digital printing could encourage desires for instant gratification and in so doing aggravate the waste problem; or, it may turn the whole model completely on its head.

This is a very real possibility because digital printing collapses manufacturing and supply chains so effectively. These days there are plenty of online fashion sites that offer bespoke designs for clothing on demand. Just a few years ago, this application was limited to polyester sportswear, but now you can design your own gear, get it printed on various substrates and have it delivered within a few days.

And it’s so easy to sell on clothes you get bored with via Amazon or eBay. We need to encourage a different expectation because the quantities of textiles going to landfill is still too high and rising. In the UK, for instance, over one million tons of clothes are thrown away every year. Recycling the clothes through resale means less landfill and reduced resource usage. Two very large fashion brands are encouraging such new thinking with support for clothing recycling in-store. Both Zara and H&M have bins in their stores, so that people can discard unwanted items before buying new ones. It could be a chance for non-shoppers to get free new clothes and it could further prod them to buy more than they need, guilt free. But in the longer term it should help people to think more about how we should be using resources. We aren’t likely to turn away from the charms of instant gratification, but perhaps environmental thinking will be encouraged.

– Laurel Brunner, lb@digitaldots.org

Verdigris bnew

This article was produced by the Verdigris project, an industry initiative intended to raise awareness of print’s positive environmental impact. This weekly commentary helps printing companies keep
up to date with environmental standards, and how environmentally friendly business management can help improve their bottom lines. Verdigris is supported by the following companies: Agfa Graphics, EFI, Fespa, HP, Kodak, Kornit, Ricoh, Spindrift, Unity Publishing and Xeikon.

The Covid-19 pandemic led to the country-wide lockdown on 25 March 2020. It will be two years tomorrow as I write this. What have we learned in this time? Maybe the meaning of resilience since small companies like us have had to rely on our resources and the forbearance of our employees as we have struggled to produce our trade platforms.

The print and packaging industries have been fortunate, although the commercial printing industry is still to recover. We have learned more about the digital transformation that affects commercial printing and packaging. Ultimately digital will help print grow in a country where we are still far behind in our paper and print consumption and where digital is a leapfrog technology that will only increase the demand for print in the foreseeable future.

Web analytics show that we now have readership in North America and Europe amongst the 90 countries where our five platforms reach. Our traffic which more than doubled in 2020, has at times gone up by another 50% in 2021. And advertising which had fallen to pieces in 2020 and 2021, has started its return since January 2022.

As the economy approaches real growth with unevenness and shortages a given, we are looking forward to the PrintPack India exhibition in Greater Noida. We are again appointed to produce the Show Daily on all five days of the show from 26 to 30 May 2022.

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– Naresh Khanna

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