Dignity in Rags

Dignity in Rags

By all accounts the textile printing business is set to explode, thanks to digital printing technologies. For instance, Fibre2fashion, analysts for the fashion industry, reckon that in 2017 the amount of fabric printed digitally will be more than one billion square meters and reach 2.5 billion square meters by 2020. They estimate that CAGR from 2015 to 2020 will be 28%, with 5% of that printed digitally, up from 2% in 2016.

We can mostly accept these numbers but there are many reasons to be anxious, not least the environmental impact of such growth. Textile production is one of the heaviest when it comes to the environment, not least for the massive amounts of water required to produce fabrics, starting with processing the raw materials and all the way through to washing textiles ready for turning them into clothes.

The big driver is, of course, our desire for instant and inexpensive gratification. We all love to have new clothes, to change our look, to bolster our sense of self-esteem, our vanity. In developed markets it is very easy to get new stuff at a low cost, whether it’s brand new or second-hand, bought in a shop or online. The fashion industry has of course responded brilliantly, tapping into this need and producing stylish designs at low costs with increasingly frequent new looks and lines. This inevitably increases the burden on reprocessing textiles, particularly in geographies where a throwaway mentality dominates. Digital printing could encourage desires for instant gratification and in so doing aggravate the waste problem; or, it may turn the whole model completely on its head.

This is a very real possibility because digital printing collapses manufacturing and supply chains so effectively. These days there are plenty of online fashion sites that offer bespoke designs for clothing on demand. Just a few years ago, this application was limited to polyester sportswear, but now you can design your own gear, get it printed on various substrates and have it delivered within a few days.

And it’s so easy to sell on clothes you get bored with via Amazon or eBay. We need to encourage a different expectation because the quantities of textiles going to landfill is still too high and rising. In the UK, for instance, over one million tons of clothes are thrown away every year. Recycling the clothes through resale means less landfill and reduced resource usage. Two very large fashion brands are encouraging such new thinking with support for clothing recycling in-store. Both Zara and H&M have bins in their stores, so that people can discard unwanted items before buying new ones. It could be a chance for non-shoppers to get free new clothes and it could further prod them to buy more than they need, guilt free. But in the longer term it should help people to think more about how we should be using resources. We aren’t likely to turn away from the charms of instant gratification, but perhaps environmental thinking will be encouraged.

– Laurel Brunner, lb@digitaldots.org

Verdigris bnew

This article was produced by the Verdigris project, an industry initiative intended to raise awareness of print’s positive environmental impact. This weekly commentary helps printing companies keep
up to date with environmental standards, and how environmentally friendly business management can help improve their bottom lines. Verdigris is supported by the following companies: Agfa Graphics, EFI, Fespa, HP, Kodak, Kornit, Ricoh, Spindrift, Unity Publishing and Xeikon.

2023 promises an interesting ride for print in India

Indian Printer and Publisher founded in 1979 is the oldest B2B trade publication in the multi-platform and multi-channel IPPGroup. While the print and packaging industries have been resilient in the past 33 months since the pandemic lockdown of 25 March 2020, the commercial printing and newspaper industries have yet to recover their pre-Covid trajectory.

The fragmented commercial printing industry faces substantial challenges as does the newspaper industry. While digital short-run printing and the signage industry seem to be recovering a bit faster, ultimately their growth will also be moderated by the progress of the overall economy. On the other hand book printing exports are doing well but they too face several supply-chain and logistics challenges.

The price of publication papers including newsprint has been high in the past year while availability is diminished by several mills shutting down their publication paper and newsprint machines in the past four years. Indian paper mills are also exporting many types of paper and have raised prices for Indian printers. To some extent, this has helped in the recovery of the digital printing industry with its on-demand short-run and low-wastage paradigm.

Ultimately digital print and other digital channels will help print grow in a country where we are still far behind in our paper and print consumption and where digital is a leapfrog technology that will only increase the demand for print in the foreseeable future. For instance, there is no alternative to a rise in textbook consumption but this segment will only reach normality in the next financial year beginning on 1 April 2023.

Thus while the new normal is a moving target and many commercial printers look to diversification, we believe that our target audiences may shift and change. Like them, we will also have to adapt with agility to keep up with their business and technical information needs.

Our 2023 media kit is ready, and it is the right time to take stock and reconnect with your potential markets and customers. Print is the glue for the growth of liberal education, new industry, and an emerging economy. We seek your participation in what promises to be an interesting ride.

– Naresh Khanna

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