JBM’s excellent traction will lead to a flourishing rights business

Jaipur BookMark – a manifestation of what is possible

Jaipur Literary Festival
Hans Jacob Frydeniund, ambassador of Norway in India, Anushree Rathore, author, Namita Gokhle, author, publisher and founder and co-director of Jaipur Literary Festival and Jaipur BookMark releasing Gandhinama in Hindi. Photo IPP

In 2014, the Jaipur BookMark held its first event at a smaller palace (not far but not a walkable distance) away from the main Jaipur Literary Festival. The commitment of the organizers in building a business platform never faltered, nor did their interest in Indian language publishing and poetry. The event has grown well, found its feet, and moved to its own compact haveli in the main JLF Diggi Palace grounds. It is likely to eventually serve its manifold and ultimate purposes of improving the publishing rights business, critical to the realization of its slogan ‘Where books mean business.‘  Many in the publishing community have supported the growth of this event that now lists 33 associates and sponsors with varying levels of contribution. Major Indian publishers such as Seagull and DC Books have stepped up substantially. Still, one partner stands out for its continued support right from the first JBM event – the Norwegian Embassy, and it deserves both praise and thanks – these guys get it!

Mita Kapoor, CEO of Siyahi, literary director JCB Prize for Literature, Elane Cnning, executive officer of Swansea University’s Dylan Thomas Prize, Sunny Singh, author, founder Jhalak Prize for Book of the Year by a Writer of Color and Aanchal Malhotra, oral historian and prize winning author. Photo IPP

The Jaipur Literary Festival itself is an enormous manifestation and accomplishment of what is possible – where art is necessary no matter the constraints, physical, cultural, or political. The organizers are navigators in a universe fraught with sponsors, egos, and politics. In its 13th year, one should have understood better all along what it represented – that in a less than ideal world not only did it manifest what is possible but that it has all along been the herald and witness to a literate, creative and democratic movement amongst the youth of the country. In this sense, JLF is quite rightly anathema to its right-wing, wind-bag detractors – it represents creativity, rational and scientific thinking, the courageous act of writing and speaking out, and the legacy of non-violent discourse and persuasion.

L-R: Anushree Rathore, Oscar Pujol, Aditi Maheshwari Goyal, Rakhshanda Jalil and Ravi Deecee. Photo IPP

Translating National Narratives: Aditi Maheshwari Goyal engaged Anushree Rathore, Oscar Pujol, Rakhshanda Jalil, and Ravi Deecee in a conversation about language and identity. Here again, the tension between the construction of national identity and collective consciousness across regional borders and languages contesting the rich diversity of art was highlighted.

In 2024, we are looking at full recovery and growth-led investment in Indian printing

Indian Printer and Publisher founded in 1979 is the oldest B2B trade publication in the multi-platform and multi-channel IPPGroup. It created the category of privately owned B2B print magazines in the country. And by its diversification in packaging, (Packaging South Asia), food processing and packaging (IndiFoodBev) and health and medical supply chain and packaging (HealthTekPak), and its community activities in training, research, and conferences (Ipp Services, Training and Research) the organization continues to create platforms that demonstrate the need for quality information, data, technology insights and events.

India is a large and tough terrain and while its book publishing and commercial printing industry have recovered and are increasingly embracing digital print, the Indian newspaper industry continues to recover its credibility and circulation. The signage industry is also recovering and new technologies and audiences such as digital 3D additive printing, digital textiles, and industrial printing are coming onto our pages. Diversification is a fact of life for our readers and like them, we will also have to adapt with agility to keep up with their business and technical information needs.

India is one of the fastest growing economies in nominal and real terms – in a region poised for the highest change in year to year expenditure in printing equipment and consumables. Our 2024 media kit is ready, and it is the right time to take stock – to emphasize your visibility and relevance to your customers and turn potential markets into conversations.

– Naresh Khanna

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