Invisible Libraries from Yoda Press one of the three official finalists for the 2017 Prize

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Invisible Libraries from Yoda Press one of the three official finalists for the 2017 Prize

Invisible Libraries, published by Yoda Press, is one of the three official finalists for the 2017 Jan Michalski Prize for Literature. The award is attributed each year to crown a work of world literature. An original feature of the prize is its multicultural nature. It is open to authors from the world over and is intended to contribute to their international recognition.

The prize is awarded for works of fiction or non-fiction, irrespective of the language in which it is written. The winner receives an amount of Swiss Franc 50,000, offering the possibility of greater dedication to her or his art. To make up the jury, the Foundation has called on exceptional writers who are multilingual, selected for their knowledge of various literary genres, but particularly for their cultural openness.

Invisible Libraries captures the sensuous, enigmatic and aesthetic world of books and libraries. Taking a cue from Italo Calvino’s Invisible Cities, the authors explore bibliophilia, especially in the way it manifests itself via our love affair with libraries.

In Chemin-des-dames, a memorial library may be found encased in a series of catacombs, while in Memorious, the living have themselves become an oral record of literature. The rules of Linearis mandate fidelity to a book till its completion, while Dermestis Lardarius houses books in a state of half-eaten incompleteness. Journey further into this world, and you will find libraries taxonomized by smell, composed of marginalia, etched in ice, and forged in nightmares.

Invisible Libraries has been written by Lawrence Liang, Monica James, Danish Sheikh, Amy Trautwein, and Another.

2023 promises an interesting ride for print in India

Indian Printer and Publisher founded in 1979 is the oldest B2B trade publication in the multi-platform and multi-channel IPPGroup. While the print and packaging industries have been resilient in the past 33 months since the pandemic lockdown of 25 March 2020, the commercial printing and newspaper industries have yet to recover their pre-Covid trajectory.

The fragmented commercial printing industry faces substantial challenges as does the newspaper industry. While digital short-run printing and the signage industry seem to be recovering a bit faster, ultimately their growth will also be moderated by the progress of the overall economy. On the other hand book printing exports are doing well but they too face several supply-chain and logistics challenges.

The price of publication papers including newsprint has been high in the past year while availability is diminished by several mills shutting down their publication paper and newsprint machines in the past four years. Indian paper mills are also exporting many types of paper and have raised prices for Indian printers. To some extent, this has helped in the recovery of the digital printing industry with its on-demand short-run and low-wastage paradigm.

Ultimately digital print and other digital channels will help print grow in a country where we are still far behind in our paper and print consumption and where digital is a leapfrog technology that will only increase the demand for print in the foreseeable future. For instance, there is no alternative to a rise in textbook consumption but this segment will only reach normality in the next financial year beginning on 1 April 2023.

Thus while the new normal is a moving target and many commercial printers look to diversification, we believe that our target audiences may shift and change. Like them, we will also have to adapt with agility to keep up with their business and technical information needs.

Our 2023 media kit is ready, and it is the right time to take stock and reconnect with your potential markets and customers. Print is the glue for the growth of liberal education, new industry, and an emerging economy. We seek your participation in what promises to be an interesting ride.

– Naresh Khanna

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