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India

Rating agencies – conflicting forecasts for print ad revenues in 2023­-24

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The year 2022 proved to be a rather challenging recovery period for the Indian print media. Though quite a few news publications exceeded pre-Covid...
Media Expo

Media Expo to unveil industrial screen printing tech at 2023 editions

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Expanding its product showcase of printing technologies beyond traditional graphic arts, OOH media, or packaging applications, Messe Frankfurt India is set to introduce a...
The three-day fair drew exhibitors from the indoor, OOH, digital signage, and print advertising industries. Photo: Messe Frankfurt India

Media Expo New Delhi 2022 ends with strong business, big deals

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Big announcements, new launches, and significant deal closures – Media Expo’s 49th edition at India Exposition Mart in Greater Noida ended in record business...
Media Expo New Delhi 2022 kicks off

Media Expo New Delhi 2022 kicks off

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Raising the curtains on the latest advertising trends and technologies, the three-day Media Expo New Delhi 2022 kicked off on 1 September at India...
Around 120 companies will participate in Media Expo 2022 at India Expo Mart, Greater Noida.

Media Expo 2022 to take place in Greater Noida from 1 September

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After a successful exhibition in Mumbai, Media Expo is ready for its 49th edition at India Expo Mart, Greater Noida, from 1 to 3...
Media Expo Mumbai 2022 has been very successful with strong visitor footfalls for Messe Frankfurt India and the signage industry

Media Expo Mumbai 2022 makes a record-breaking comeback

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The 48th edition of Media Expo concluded as a successful event highlighting the transition towards innovative, sustainable and eco-friendly advertising solutions. With product showcases...
Media Expo

Media Expo in Mumbai from 12-14 May

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Returning to ‘India’s financial capital’ after two years, the trade fair will bring together over 100 brands with their latest technological capabilities in indoor...
Media Expo

Media Expo –The digital signage market of India

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The Brihanmumbai Municipal Corporation’s (BMC) recent move of making it mandatory for shops to use signage boards with regional language is set to create...
Media Expo

Media Expo New Delhi 2021 makes a comeback with its first edition after lockdown

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Reconnecting businesses in the indoor, OOH, digital signage, and print advertising industry, Media Expo New Delhi concluded its first-ever post-lockdown edition on a successful...
MediaExpo

Good turnout at the 47th MediaExpo at Greater Noida

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The 47th edition of MediaExpo New Delhi opened amidst much fanfare on 18 November 2021 at the India Expo Center and Mart in Greater...
Messe Frankfurt India

Messe Frankfurt India — first physical trade fair

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Messe Frankfurt India for its very first edition after lockdown, India’s renowned trade fairs LED Expo & Media Expo will open doors to the industries...
Media Expo is going to take place in November in New Delhi for the advertising industry professionals

Media Expo in Delhi from 18 to 20 November 2021

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‘As outdoor advertising checkpoints gradually become active, the impact of OOH will be significantly greater as compared to the pre-pandemic stage.’  With the dates of...
Media Expo

Mumbai edition of Media Expo moves to May 2021

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In preparation for the vaccination drives at Mumbai’s jumbo care centers, trade fairs scheduled at the Bombay Exhibition Centre in March have been pushed...
Media Expo

Media Expo New Delhi edition rescheduled

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The New Delhi edition of the Media Expo has been rescheduled to take place from 3-5 September 2021 at India Expo Mart, Greater Noida,...
Covid-19

Covid-19 and the economic revival in Bharat

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India underwent a strict lockdown in the second quarter of 2020 due to the spread of Covid-19 pandemic. The economic revival in metropolitan cities...
e4m

e4m webinar discussion on ‘non – metros: buoyant with festive demand’

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exchange4media Group (e4m) in collaboration with Dainik Bhaskar Group is curating a series of webinars called ‘Non - Metros: Driving The Economic Resurgence’ where...
Media Expo New Delhi

It’s on! – Media Expo New Delhi 4 to 6 December 2020

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According to a press release from Messe Frankfurt India, the organizers of the Media Expo exhibitions in India say that the Indian economy is...
Mungu Media launches hyperlocal DOOH platform Photo Mungu Media

Mungu Media launches a hyperlocal platform

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On 20 July 2020, Bengaluru-based Mungu Media launched what it claims is India’s largest hyperlocal digital out of home (DOOH) marketplace. The company says...
advertising

Mixed opinions on advertising industry recovery post lockdown

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On 13 May 2020, India is still in the middle of a lockdown, while several other countries opened up substantially in the first week...
Media Expo

Media Expo Mumbai 2020 concludes after a stellar display of revolutionary innovations

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From featuring transformative showcases to providing networking opportunities, Media Expo Mumbai 2020 concluded another successful edition in its series. Innovations like the Dimense printer...

MEA 2020 to recognize innovative and sustainable initiatives in modern campaigns

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Media Expo Mumbai will host the first-ever Media Expo Excellence Awards to recognize and award the creative genius of both the agencies and vendors....

Adapt or perish

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After two days of informative and educational study tours, the two INMA seminars took place on 20 November 2019. The seminars were focused on...
Armani

Emporio Armani revamps its billboards with wide­format 3D printing

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Armani, a luxury Italian fashion house, has approached Colorzenith Milan, a wide-format printing house, to produce giant dimensional billboards promoting its latest fashion and...

Media Expo Excellence Awards 2020 – 20 February, Mumbai

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Media Expo will host its first awards night recognizing outstanding work in the indoor and OOH advertising industry. The awards ceremony will also felicitate...
Media Expo

Media Expo New Delhi begins

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https://www.youtube.com/watch?v=HGf7rHKWtyU&feature=youtu.be Welcoming decision makers from marketing, advertising, signage and OOH industry, Media Expo 2019 begins on 6 September 2019 and will take place till 8...
Media Expo

Media Expo launches SOTI conference in Mumbai 21-22 February

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Media Expo, India’s largest exhibition for advertising and signage solutions, has announced the launch of its first ever conference alongside the exhibition to highlight...
India

GroupM estimates India’s 2018 advertising expenditure to grow by 13%

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GroupM, the media investment group of WPP, in its ‘This Year, Next Year’ 2018 report, launched on 13 February, has forecast India’s advertising investment to reach an estimated Rs. 69,346 crore this year, representing a growth of 13% for the

Indian

Why are South Indian language papers investing in 4 x 1 presses?

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The divergent paths of Indian language newspapers

According to the Group M report published by Mint on 16 February 2017, ad spending in India including radio, cinema and OOH is expected to grow by 10% in 2017 to Rs. 61,204 crore (approximately US$ 9.7 billion). The same report states that digital advertising will record the fastest growth at 30% to reach Rs. 9,490 crore in 2017, albeit at a slower pace than the 47% growth in 2016. Television is the largest ad medium and is expected to reach Rs. 27,638 crore at a growth rate of 8%.

In 2017, print advertising is forecast to achieve a stable growth rate of 4.5% to Rs. 18,258 crore, which is a slight increase over the 4% ad revenue growth in the previous year according to the same report. The increased spends is expected from sectors like auto, banking, financial services and insurance and eWallets that are said to prefer print advertising.

The report further quotes Girish Agarwal, director of DB Corp., which publishes the Hindi daily Dainik Bhaskar and Gujarati and Marathi dailies both named Divya Bhaskar, “In the past few years, English dailies have grown around 1-2% while Indian language print publications have grown at around 8-9%.” Other research indicates that a part of the digital ad revenue is also coming to newspapers. At the same time, the Indian dailies are reducing their dependence on ad revenues by increasing their subscription revenues by as much as 4-5% annually.

Indian language dailies are growing much faster than the big English language dailies and they are also benefitting from subscription price rises and growing digital ad revenues. However, there seems to be an imbalance or difference in the quality of investment in productive assets between the North and South Indian language dailies.

Long-term trends
More than a decade ago, it became apparent that the major trends amongst Indian dailies were increased circulation, increase in the number of color pages, an increase in geographic reach and in some cases new launches in other Indian languages. Another established trend was that many of the Indian language dailies were highly localized with at least one broadsheet page being changed for each district that the newspaper covered. Even before the idea of big data, Indian language dailies were able to fine-tune print runs on a daily basis with quality feedback from their distribution system.

As runs became longer, with many Indian language dailies having multiple editions and production plants, combined circulations reached and exceeded a million copies. Since they were driven by color ad revenues, to produce significant quantities with high quality color pages and plate changes for localized coverage, the new technology 4x1 presses were a reasonably logical choice—at least for their main or major centers.

Simultaneously, 4x1 press design improved with better shaftless motors, spray dampening systems and slenderness ratios that allowed thinner diameter narrow gap plate cylinders to reliably perform at higher speeds. New CCD technology brought better registration and closed loop color control systems while improved electronics and software improved computerized integration and control systems.

4x2 and 4x1 presses for high volumes
To reiterate, a 4x1 web offset press has a four broadsheet newspaper page wide and single page circumference plate cylinder. Before the advent of the 4x1 web offset presses, in order to print 70,000 copies an hour and above, it was necessary to have a 4x2 press whereby the press essentially rotated at 35,000 RPM but there was a second set of plates that could double the output. Big English language groups such as Bennett-Coleman, HT Media as well ABP for its high circulation Bengali daily have been running 4x2 presses for many years.

Of course this also meant that for changing one page for as little as 5,000 or 10,000 copies, two plates need to be changed. In addition, 4x2 presses with four color towers (4-Hi stacks) occupied large press rooms with a separate floor for the reel-stand and auto-splicers.

The four operation levels included a basement, a ground floor for press towers and control console; a first level gallery for plating and inking the 3rd and 4th color plates; and, a second level gallery for the superstructure (web movement, splitting, turning and combining webs). This necessitated large pressrooms and infrastructure costs for 4x2 presses. (There was also the additional cost of a mailroom equipment to automate the evacuation of high volume output which remains a consideration even with 4x1 presses).

In contrast with the huge infrastructure capital costs for installing a 4x2 press, the 4x1 (single circumference plate cylinders) reduced the height and weight of press towers while also encouraging reel-stands to be mounted on the same floor as the more compact towers. The operational costs associated with running a 4x2 press were also high in terms of manpower and electricity—webbing up and restarting after web breaks took a lot of time and considerable newsprint waste.

Made for India 4x1 presses
The initial 4x1 presses imported were the manroland Web Systems Regiomans by Bennett-Coleman and HT Media. Kasturi and Sons who were convinced of the 4x1 design and configuration, and were running a Mitsubishi 4x2 press at their Chennai plant, approached Mitsubishi to design and build a 4x1 for them. Called the DiamondSpirit SA (for South Asia), this 4x1 was first installed in one of Kasturi and Sons’ out of state plants in South India and later in many of their plants including its new plant in Maraimalai Nagar near Chennai. Japanese newspapers came to India to see the new 4x1 press and purchased these for their own modernization.

Partly at the urging of some of the language dailies in South India, the web press manufacturers such as manroland, Mitsubishi and Manugraph came up with more economical ‘made for India’ 4x1 presses. While Dainik Bhaskar was the only Hindi daily to purchase 4x1 presses which consisted of several KBA Prisma lines in a joint purchase with the newly launched English daily DNA, in collaboration with the Zee Television group, most of the 4 x1 presses have come to South India.

The exceptions are TKS 4x1 presses purchased by HT Media for their Greater Noida plant and the manroland Cromoman 4x1 presses purchased by Bennett-Coleman for their Pune editions in both English and Marathi and another Cromoman 4x1 purchased for their new Bengali daily out of Kolkata. The Cromoman was the first ‘made for India’ 4x1 press—designed to fit into a 2x pressroom—and could handle electricity outages with a soft stop instead of web breaks and webwraps.

South 3

South Indian dailies dominate the 4x1 market
The largest base of 4x1 presses and the one with the greatest growth momentum is clearly amongst the South Indian language dailies. Malayalam daily Malayala Manorama has in several stages purchased more than a dozen 4x1 presses from both Manugraph and Mitsubishi. Its fierce competitor Mathrubhumi has purchased five TKS 4x1 presses over the past five years. Tamil daily Dinamalar installed a Manugraph Smartline 4x1 in its new Madurai plant and then purchased a pair of the Goss Uniliner S 4x1 presses that were initially installed by the Deccan Chronicle group. Tamil daily Dina Thanthi installed both a new Seikan 4x1 press and a second-hand Seikan 4x1. The Printers Mysore, publishers of Deccan Herald in English and Prajavani in Kannada, purchased and re-installed the KBA Prisma 4x1 that English daily DNA had installed in Bengaluru. The most recent installation is of a manroland Cromoman 4x1 press is by Telugu daily Namaste Telengana for its new plant in Hyderabad.

Economics?
Apart from the question of why it is the South Indian language dailies that are by and large interested in and investing in 4x1 presses, there is also the question of why some of the Hindi, Marathi and Gujarati dailies are reluctant to do so? In many cases, language dailies are buying 6- and 7-tower 2x1 presses at speeds of 35,000, 40,000 or 50,000 copies an hour to cope with increased color pagination and circulation. In many of the language dailies, there are now multiple centers with circulations above 250,000 and in some cases around the 400,000 level and even above this. To produce this number of copies of a 24-page broadsheet daily with even acceptable quality color pages and advertising would require a minimum of two 2x1 presses, each with 6 full-color towers.

While the cost of two locally manufactured 2x1 presses is less than that of an imported 3-tower 4x1 press (for 24 pages full-color broadsheet pages), there are significant operational economies in a 4x1 press in terms of space, manpower, newsprint wastage, electricity and even ink. Both webbing up and ink pumping are automated functions in a 4x1 press. This difference in cost is greater in the case of the imported 4x1 presses than would be the case of Manugraph’s Smartline 4x1, which is locally manufactured. It is true that the cost of an automated mailroom is significant but attempting to automate the evacuation of several high-speed 2x1 presses may be more challenging than a mailroom system for a single 4x1 press, let alone the facility of producing uniquely counted and wrapped bundles with on-line labelling for distribution.

Flexibility
Apart from the cost considerations, some newspaper publishers feel that they have more flexibility and ease of operation with a battery of 2x1 presses, as they can run a variety of products. In fact, this often means that when running the edition with the same pages and advertisements on several presses, color quality is compromised while wastage and other costs are much higher.

The operation of 4x1 presses with automatic register, remote ink pumping and other controls has become easier. Improved handling with slitting of the web on top of the tower for combining the two webs into a single-width folder makes it easier for operators trained on 2x1 presses.

As far as running more than one product, this flexibility is now available on 4x1 presses with several types of split runs, especially as these presses are truly shaftless and electronically controlled. Any number of press towers on either side of a double folder configuration can be configured as two presses with great flexibility in the pagination of each product.

The author is a G7 Expert and an offset printer with hands-on experience in running sheetfed and web offset presses. You can reach him at editor@ippgroup.in.

advertising

Print advertising set to grow in India

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The advertising and marketing sector in India is enjoying a good run. The Indian advertising industry has evolved from being a small-scale business to...
Viscom

Printed, packaged, installed: The Viscom Trail

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Travelling from Paris and Milan to Frankfurt, the Viscom trade fair series has been visited mainly by wide format printers looking for processing equipment,...
drupa

Large format at drupa 2016

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Since drupa 2012, inkjet developments have continued apace, with the announcement of new inks and faster machines that include automation for material handling, streamline...

An experience in play learning

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The GBO conference on children’s content got off to a Jumpstart with Nury Vittachi the author of the crime comedy novel series The Feng...