The attraction of the Multicolor option in Heidelberg’s Prinect

The attraction of the Multicolor option in Heidelberg’s Prinect

While 7, 8 and even 10-color gravure and flexo presses have been used in India for flexible packaging and labels, more than 6-color plus coater presses have only just started being used for carton printing. Until a couple of years ago, a 6-color plus coater was the standard monocarton press. The higher configuration presses including interdeck and end-of-press UV were imported for printing on metalized polyester laminated to paperboard and also sometimes for printing on transparent or translucent plastic substrates.

In the past two years a large number of 7-color presses and a few that are 8-color and even longer presses have been imported by carton printers. In some cases these longer presses were installed in order to accommodate in-line foilers that were mounted across the first two units – leaving the other units for C,M,Y,K and special or brand colors.

In India, printing with a fixed set of 7-color inks really started with Pragati in Hyderabad importing two new Komori 7-color presses for printing shade cards for a paint company. This was accomplished (as I have written earlier) by using Esko’s Equinox software for the color separations. Subsequently, new 7 and 8-color presses with coaters from Heidelberg, KBA, Komori and RMGT have been installed around the country for printing on cartons.

However, when in the past two years I asked some of the leading carton printers about their reasons for  purchasing 7 and 8-color presses, (apart from the need for more units in the case of adding an in-line foiler), they were not too interested in using a fixed set of 7 color inks to expand the gamut on their presses. They were not keen to deviate from the usual scheme of C,Y,M, K and special color inks for matching brand and Pantone colors. Even at seminars where extended gamut printing was presented, there was little interest or interaction – perhaps because most serious printers who understand extended gamut printing know that while it can give a huge competitive edge, it also requires best practices, calibration and standardization of a fairly high order to be put into place.

Now that several Indian carton printers have already imported and installed 7 and 8-color presses, the concept of extended gamut printing using a fixed set of C,M,Y,K plus Orange, Green and Violet inks is starting to catch their imagination. And it is here, that Heidelberg has an opportunity to gain some traction amongst its long press customers because its Prinect prepress software already contains all the important packaging modules such as trapping and imposition as well as color management and Multicolor – its 7-color solution.

Speaking to Heidelberg India’s general manager prepress Ashokan, who is based in Mumbai, it becomes clear that this is not just a product or software. According to him it is a prepress and Print Color Management activity where Heidelberg can supply the hardware, software, consumables and local expertise and know-how to help its customers optimise the use of their 7-color presses.

A print color management activity
Ashokan is clear that a well maintained prepress department is needed for Multicolour 7-color implementation. In his view a thermal CtP is essential (because of its precise and binary output) and it would be easiest for Multicolor implementation if it was a Heidelberg CtP with a Prinect RIP. This is because there is some complexity of screening angles and combinations of AM and FM screening techniques needed for 7-color separations and his experts are most familiar with Heidelberg hardware and Prinect RIP.

He adds that calibration and profiling of the press is key and of course it requires a well maintained press. However, when put into practice, the Multicolor separations have great predictability and the Delta E for a given or desired spot color is forecast for the 7-color profile of a particular press by the software with precision. The Delta E forecast can be compared to what would be the result using the conventional approach of C,M,Y,K with a special color as well. At this stage, users need to deliberate and make a considered decision — since the fixed 7-color setup may not work or be the most desirable path.

In the end, Ashokan says this new technique needs to be learned and mastered. It is analogous to the techniques that the new digital inkjet presses and even some of the older drum and toner digital presses use. Digital presses will not support an infinite set of Pantone or special color inks and it is not likely that a printer will change the inks for a brand color on a digital press. This is also why many of the new sheetfed ink jet presses aimed at high quality and packaging print including the Heidelberg Primefire use a 7-color ink set.

Ink formulation moves from ink kitchen to prepress
We also spoke to Ganesh Kumar, Heidelberg India’s senior sales and product manager and a FOGRA certified color management professional who is helping Heidelberg customers achieve standardization and ISO 12647-2 certification. He says that the Prinect Multicolor module has been used for a long time for halftone images and now the company wants to extend it to the use of spot colors and brand colors. While for photographic or halftone images and effects, Multicolor uses relative colorimetric rendering intent, Kumar explains that for spot colors, absolute colormetric rendering intent is needed.   

Multicolor analyses the file automatically to deliver a combination of relative and absolute colorimetric rendering intent automatically – depending on the halftone and linework content of the file. For creating a Multicolor separation, a final print-ready file – let’s say a PDF/X-3 file, is simply put it into the Multicolor plug-in for Acrobat Pro which will result in a set of separations based on the user’s profiles. The Delta E values or deviations will be shown in comparison to the target values and there is also the possibility within Multicolor to edit or fine tune the recipe for a particularly desired flavor or taste in color.  

Kumar says, “We have tried all this with Indian printers and with Multicolor we can achieve 95% of the Pantone colors with the standard 7-color set and profile. Other difficult colors can be achieved by changing one or more of the inks and creating new profiles – for instance by replacing violet with rhodamine blue and producing a new profile.” Heidelberg India is ready and able with Multicolor to move the ink formulation activity from the ink kitchen that is in every major carton printer, to the prepress department – to a print color management activity for the complete production workflow.

The author is a G7 Expert and an offset printer with hands-on experience in running sheetfed and web offset presses. You can reach him at

2023 promises an interesting ride for print in India

Indian Printer and Publisher founded in 1979 is the oldest B2B trade publication in the multi-platform and multi-channel IPPGroup. While the print and packaging industries have been resilient in the past 33 months since the pandemic lockdown of 25 March 2020, the commercial printing and newspaper industries have yet to recover their pre-Covid trajectory.

The fragmented commercial printing industry faces substantial challenges as does the newspaper industry. While digital short-run printing and the signage industry seem to be recovering a bit faster, ultimately their growth will also be moderated by the progress of the overall economy. On the other hand book printing exports are doing well but they too face several supply-chain and logistics challenges.

The price of publication papers including newsprint has been high in the past year while availability is diminished by several mills shutting down their publication paper and newsprint machines in the past four years. Indian paper mills are also exporting many types of paper and have raised prices for Indian printers. To some extent, this has helped in the recovery of the digital printing industry with its on-demand short-run and low-wastage paradigm.

Ultimately digital print and other digital channels will help print grow in a country where we are still far behind in our paper and print consumption and where digital is a leapfrog technology that will only increase the demand for print in the foreseeable future. For instance, there is no alternative to a rise in textbook consumption but this segment will only reach normality in the next financial year beginning on 1 April 2023.

Thus while the new normal is a moving target and many commercial printers look to diversification, we believe that our target audiences may shift and change. Like them, we will also have to adapt with agility to keep up with their business and technical information needs.

Our 2023 media kit is ready, and it is the right time to take stock and reconnect with your potential markets and customers. Print is the glue for the growth of liberal education, new industry, and an emerging economy. We seek your participation in what promises to be an interesting ride.

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